Lily Baldwin

SOUND

➤ STORIES OF THE STALKED
6 part podcast series for Audible, produced by Ventureland, and Feast Collective. Nominated for Peabody Awards, ARIA Awards, Audio Production Awards, Rose D'or Awards 

FILMS

➤ TERRAIN
La Biennale di Venezia VR Expanded (World Premiere)
➤ THROUGH YOU
Sundance Film Festival (World Premiere), SF International Film Festival, World VR Forum, Nantucket Film Festival, Ann Arbor Film Festival, Raindance Film Festival (award-winner), San Francisco Dance Film Festival, Watershed, Phi Centre, AFI Fest
➤ QUICK SLICE
New York Live Arts, Flux Factory
➤ SWALLOWED
Criterion Channel, SXSW (World Premiere), BAMcinemaFest, Montclair Film Festival, Maryland Film Festival, Palm Springs ShortFest, Women of Cinefamily with Chris Kraus, Vimeo Staff Pick
(part of the omnibus feature COLLECTIVE:UNCONSCIOUS)
➤ SLEEPOVER LA
SXSW (World Premiere), Berlinale EFM, Cucalorus, Vimeo Staff Pick, Short of the Week
➤ A JUICE BOX AFTERNOON
Lincoln Center (World Premiere), Dance on Camera Tour, Filmmaker Magazine (Online Premiere)
➤ SEA MEADOW
SXSW (World Premiere), Miami Art Basel, V&A Museum, Aesthetica Short Film Festival (award-winner) Academy-Qualifying theatrical run
➤ MISTY COPELAND
Carnegie Hall, NYC
(documentary for Glamour’s Women of the Year Awards)

➤ The Criterion Channel (SWALLOWED paired with Cronenberg's THE BROOD and in its original form within the omnibus feature COLLECTIVE: UNCONSCIOUS)  
➤ Netflix (SWALLOWED/ COLLECTIVE: UNCONSCIOUS)
➤ Amazon (SWALLOWED/ COLLECTIVE: UNCONSCIOUS)
➤ Jaunt VR App (THROUGH YOU)
➤ NOWNESS (THROUGH YOU short flattie version)
➤ NOWNESS (SLEEPOVER LA)
➤ Filmmaker Magazine (A JUICE BOX AFTERNOON)

ACCOLADES

➤ NYSCA FY2023 Grantee, 2023
➤ Peabody Awards nominee for Podcast & Radio, 2023 (STORIES OF THE STALKED)
➤ The Radio Academy ARIA Awards nominee for the Creative Innovation Award, 2023 (STORIES OF THE STALKED)
➤ Glogauair Online Artist Resident, 2023, Fellow
➤ Rose d'Or Awards (STORIES OF THE STALKED shortlisted for Best Audio Entertainment 2022)
➤ Audio Production Awards (STORIES OF THE STALKED Nominated for Best New Voice 2022)
➤ Creative Capital Shortlist 2022 (CHRONICLE OF HIP)
➤ Sundance Institute Interdisciplinary Program Grantee supported by the MacArthur Foundation (CHRONICLE OF HIP)
➤ Sundance Institute New Frontier / Jaunt VR Residency (THROUGH YOU)
➤ Academy Award-Qualifying theatrical run (SEA MEADOW)
➤ WaveFarm Media Arts Assistance Fund Individual Artist Grantee supported by NYSCA (QUICK SLICE)
➤ Independent Magazine’s 10 Filmmakers to Watch
➤ ShortsHD Top 10 Emerging Filmmakers to Watch
➤ Tribeca Film Festival (Juror for Storyscapes Competition)
➤ Tribeca Film Institute & Festival (Juror for Our City, Our Story Competition)
➤ Glamour Magazine's Women in Hollywood Roundtable Discussion (Panelist)
➤ SXSW Grand Jury Award Narrative Feature Nominee (SWALLOWED/ COLLECTIVE:UNCONSCIOUS)
➤ VR creator for Oculus & Kaleidoscope’s inaugural DevLab (Fellow)
➤ Outfest (Panelist)
➤ Almanack Screenwriters Colony (Fellow)

➤ WAVES 
dancer in short film by Nat Gee, premiered at the Maryland Film Festival 
➤ EVERYTHING THAT HAPPENS WILL HAPPEN TODAY 
dancer in the World Tour with David Byrne and Brian Eno, choreographed by Annie B. Parson, Robbinschild, and Noémie
➤ The Metropolitan Opera Ballet 
dancer in LES TROYENS, LE SACRE DE PRINTEMPS, and MOSES UND ARON
choreographed by Doug Varone
➤ PARTHENON
actor in short film directed by Frank Mosley, co-starring Tallie Medel
➤ SUTPHIN BOULEVARD
choreographer and dancer for music video for Blood Orange / Devonte Hynes
➤ Trisha Brown Dance Company
dancer in SPANISH DANCE
➤ Performa 09
choreographer for opening event at Times Square NYC in collaboration with Arto Lindsay
➤ Faye Driscoll
dancer in COLD BLOODED OLD TIME, LEZ SIDE STORY, WOW MOM, WOW, and EYES EYES EYES
➤ Netta Yerushalmy
dancer in ROOMS WITHOUT A VIEW
➤ David Neumann
dancer in FEED FORWARD

INTERVIEWS

➤ Giving In Podcast, #4 Giving In to Going Under with Lily Baldwin
➤ The Guardian (Profile about Stories of the Stalked)
➤ Filmmaker Magazine (Profile about Stories of the Stalked) 
➤ Forbes Magazine (Profile about Stories of the Stalked)
➤ The New York Times (Profile featuring THROUGH YOU)
➤ The Criterion Channel (Video interview and retrospective for SWALLOWED)
➤ Sundance Blog (Profile on my creative process and VR)
➤ Vice's Creator's Project (Profile on film, dance, art and life)
➤ Interview Magazine (Interview alongside Rose Troche & Saschka Unseld on VR)
➤ She Does Podcast (Podcast about all the worlds I've lived in)
➤ Glamour Magazine (My true story living with a stalker)
➤ Dance Magazine (Interview on choreography in VR)
➤ Vice’s Creator’s Project (Profile piece on on THROUGH YOU)
➤ Filmmaker Magazine (Interview on editing THROUGH YOU)
➤ Ravelin Magazine (Interview on the making of SWALLOWED)
➤ The New York Times (Featured alongside other various dance film artists)
➤ Berlin Art Link (Interview featuring THROUGH YOU)
➤ Voices of VR (Podcast with Kent Bye about THROUGH YOU)

PRESS

“Disrupting popular narratives about stalkers and their victims.”  (Stories of The Stalked)
➤ Jezebel
“The series (Stories of The Stalked) is raw, immersive and harrowing—transporting the listener into the heart of the experience 
➤ Forbes
"A different sort of work , one that’s both activist as well as containing the emotional complexity of a great literary memoir.” (Stories of The Stalked)
➤ Filmmaker Magazine
“Illusory sound design transports the listener into the midst of the experience.”  (Stories of The Stalked)
➤ The Guardian 
“Movement and gesture take possession [in THROUGH YOU] of the viewer in a way that, for me at least, has never been replicated.” 
➤ The New York Times
“The genre needs directors who are willing to look beneath the surface and to dream, as Lily Baldwin does in her adroit, wry short, A JUICE BOX AFTERNOON.” 
➤ The New York Times
“An extraordinary and scary short film by Lily Baldwin, whose work has a visceral power similar to [David] Cronenberg’s [THE BROOD], but with an anxious female perspective.”
➤ The New York Times
"In this hypnotic film [SLEEPOVER LA] dance is used as a diaphanous storytelling tool, in which the dreamy narrative is at the service of the choreography; movement wafts through." 
➤ TimeOut
“In her films, Baldwin uses body movement and choreography to push the narrative.”
➤ Vice
“Editing, cinematography and music merge with dance to create a fully realized universe, filled with equal doses of longing, unease and wonder. Like Lynch, she understands that all of these tools are necessary to portray our complex inner lives." 
➤ Short of the Week
“An incredible central performance [in PARTHENON] by Lily Baldwin. This short is in two halves – the first is reminiscent of Madeline’s Madeline and makes for uncomfortable viewing, it is difficult to watch. The second half is amazing and focuses on the connection between an artist and model in a life-drawing class.” 

➤ Lief (Commercial inquiries in the UK, France, and Netherlands)
➤ Betti Berlin (Commercial inquiries in other European territories )
➤ Labor Party (Managed by Ali Brown and Candice Dragonas of PRETTYBIRD)

➤ University of Southern California 2022, Guest artist, Media Arts + Practice; Cinema and Media Studies Divisions
➤ Electric South 2022, VR and 360 video teaching consultant
➤ Guild of Future Architects (Member)
➤ Pratt Institute (visiting guest artist) 2020, Guest Artist at for the class Professional Practice
➤ School of Visual Arts (visiting guest artist) 2017, Guest Artist for the Masters in Directing program
➤ Jacksonville University (visiting guest artist) 2017, Guest Artist at for MFA Choreography program
➤ University of Michigan (visiting guest artist) 2018, Guest Artist at for BFA Dance department
➤ John Hopkins University (mentor for Saul Zaentz Innovation Fund in Film & Media)

EDUCATION

➤ University of Michigan (Summa Cum Laude, BFA in Dance, Minor in Art History)

SOCIAL

➤ Instagram
➤ Vimeo
➤ YouTube
➤ Twitter
➤ IMDB